An Eastern Sierra Photography Jamboree will provide photographers opportunities for recognition, exposure and cash prizes this weekend in the Bridgeport Valley.
The photo exhibit/contest is open to all amateur and professional photographers with $200, $100 and $50 prizes presented for the top three framed entries in these categories: Bodie, Ranching and Western Life, Wildlife, Hunting & Fishing, and Nature & Landscape photography. A $15 entry fee applies.
The Photo Jamboree is the first of a half-dozen fun events happening this autumn in Mono County, including:
https://www.californiafallcolor.com/wp-content/uploads/2017/07/logo-1.png00John Poimiroohttps://www.californiafallcolor.com/wp-content/uploads/2017/07/logo-1.pngJohn Poimiroo2018-09-11 10:44:512018-09-12 10:33:44Eastern Sierra Photo Jamboree This Weekend
Hillsound Amadillo XT Gaiters (file photo) Mike Crane
An indispensable item for outdoor trekking is a set of gaiters. Designed to wrap around the lower leg, gaiters keep snow and trail debris from saturating pants and out of boots.
Hillsound Armadillo LT (file photo) Mike Crane
That means you can wear cotton jeans or light pants (layering is recommended) without concern that pant legs will get soaked and become uncomfortable to stay outside taking pictures, without having to put on and take off bulky snow pants. Gaiters are also a smart addition to golden-hour photography or when photographing near streams, lakes or in woods where it’s moist.
Of course, they’re best known as gear used by snowshoers and backwoods XC skiers. So, with a major winter storm now dropping from seven to eight feet of fresh snow in the Sierra Nevada, ideal conditions were available to test Hillsound’s new Armadillo LT Gaiters.
Easy to put on and so comfortable that you’d hardly know you’re wearing them, the Armadillo LT Gaiters were so water resistant that legs and socks stayed bone-dry and warm, even in deep powder. Imagine how much more comfortable you’d be when photographing fall color at sunrise or sunset.
Hillsound makes its gaiters of 1000 denier nylon on the bottom half and breathable Flexia, a three-layer fabric, on the upper half. The 1000D lowers resist punctures (useful when wearing crampons), while the Flexia uppers provide four-way stretch and protection from the elements. Though designed for wet conditions, the Armadillo LT’s breathable fabric makes these gaiters comfortable to wear, year-round.
There’s no wardrobe malfunction that ruins a day of winter photography more than discovering a gaiter has come loose or slipped down. On the Armadillo LT, a waterproof YKK zipper gives a contour fit that won’t fall down or need to be readjusted during outdoor activity, and a sturdy boot-lace hook adds stability and ensures the gaiter won’t shift off boot or shoe. The Armadillo LT’s durable instep strap also won’t wear out or fall off, no matter how long you stay out.
The Hillsound Armadillo LT fits men and women in all sizes, is priced affordably at $49 and comes with a lifetime warranty. They’re sold online at Hillsound.com and at top outdoor retailers.
The Armadillo LT is an indispensable item of outdoor gear that should be in every camera bag.
https://www.californiafallcolor.com/wp-content/uploads/2017/07/logo-1.png00John Poimiroohttps://www.californiafallcolor.com/wp-content/uploads/2017/07/logo-1.pngJohn Poimiroo2018-03-01 16:34:482018-03-02 15:01:09Trekking in Snow and Woods
A super blue blood moon is about as rare as the moon gets. This morning’s event combined a super moon (larger than usual), a blue moon (the second full moon in a month) and blood moon (a total lunar eclipse – the first since 2015), all at the same time.
So, like a lot of other photographers, I was up early to capture it, and – no celestial photographer – I made every mistake in the book.
First, I failed to shift the internal meter to manual. A camera’s light meter is fundamentally useless in this situation. You need to make the adjustments manually.
Begin by setting the ISO to its base level. My camera’s base is ISO 100. I started there, but scrolled up to see what results I would get at various levels. This frame was shot at ISO 1250.
Second, an ideal aperture for photographing the moon is f11. When shooting manually, once you set the f-stop it will stay there.
The same with shutter speed. Set it at 1/125 sec. and leave it there. Because the moon is in constant motion across the sky, 1/125 sec. (1/250 if base ISO is 250) is needed to stop action and provide a sharp image of moonscape details. This shot was taken at far too slow a shutter speed, blurring detail.
Fourth, focus by hand. It’s much easier to focus on small distant objects manually than by trying to line up the focus sensor with the object. Trust what you see and your ability to capture it as you see it.
Finally, be prepared. If you don’t shoot a specific situation regularly, refer to photo sites like PhotographyLife.com, publications like Outdoor Photographer or ask a photo buddy how to do it right, well before the event occurs. As, during the moment, it changes too fast to step away and figure out what you’re doing wrong.
As, when something as rare as a super blue blood moon comes around, you want to get it right, then and there.
Mass ascension, Midway Rd., Durham ( 11/24/17) Robert Kermen
Redtail hawk, Midway Rd., Durham ( 11/24/17) Robert Kermen
Redtail hawk, Midway Rd., Durham ( 11/24/17) Robert Kermen
When a “mass ascension” occurs at one of the Sacramento Valley’s many wetlands, rice patties or wildlife refuges, virtually tens of thousands of birds lift off all at once.
They take to the air when predators (bald eagle, redtail hawks and falcons) approach.
Similar to the effect of the flashing silver and black flanks of fish in their schools, the swirling mass of white and dark wings in a mass ascension confuses raptors and makes it more difficult for them to snare a meal.
Mass ascensions are breathtaking sights that are often seen, in autumn, north of Sacramento.
Kermen knew to visit a wetland, south of Durham. If you open the California Fall Color map on the right side of this page and search for Durham or Colusa, anywhere you see large ponds of water are sure to be gathering places for waterfowl. For the easiest viewing, visit the Sacramento Valley National Wildlife Refuge or Colusa NWR. Roads pass through both of them and your vehicle serves as your “blind.” Bring binoculars and, if photographing, a telephoto lens and tripod or window camera mount (which turns your car into a tripod).
White-fronted Geese, Durham (11/24/17) Robert Kermen
Snowy egret, Midway Rd., Durham ( 11/24/17) Robert Kermen
Close up photographs of wildlife are best captured with digital single lens reflex (DSLR) cameras using lenses greater than 300 mm.
A 400mm lens is considered to be an ideal length when starting to shoot wildlife. However, long lenses – particularly those with larger apertures that will take sharp pictures in low light – come with a hefty price tag. For example, Nikon’s 400mm f/2.8E FL ED VR lens (admittedly, a very expensive lens) costs over $11,000 (Canon’s similar lens is $1,000 less).
Snow Geese, Durham (11/25/17) Robert Kermen
Considering the high cost of telephoto lenses with large aperture settings, starting amateur wildlife photographers might consider first purchasing a zoom lens in the range of from 100 to 500mm, but with a smaller aperture setting, such as a Nikon 200-500mm f5.6 ($1,400) or Canon 100-400mm f5.6 ($1,200).
Another way to increase focal length is to add a teleconverter to a smaller focal length lens (about $300 for a 2x teleconverter). They do not provide the sharpness of a set lens, but are not budget breakers and result in fine photographs that impress, if you’re not selling your work or making gallery-quality prints.
For clarity, a smaller f-stop means a larger aperture, while a largerf-stop means a smaller aperture.
Bald eagle (middle right, sitting) (11/22/17) Robert Kermen
With these options, you will lose the ability to shoot action in lower light conditions, but can more affordably begin shooting wildlife and thus gain experience before making the investment on a more expensive lens.
For these shots, Kermen used a Canon 80D with 70-200mm f4L IS USM lens, which he keeps at hand on the console of his vehicle, so that he doesn’t miss a great shot when motoring along one of California’s backroads.
Black oak, bigleaf maple, Hayfork (10/21/17) Laura Jean
Fridays are a quiet day to catch up on posting photographs that arrived too late to be included in a timely fall color report. The first selection is of photographs taken by Laura Jean near Hayfork along CA-3, two weeks ago.
The color seen in these images has long since fallen, though her shots provide perspective about what it was like to drive the Trinity Heritage Scenic Byway in late October. Click on photo to enlarge.
Hayfork, Trinity Heritage Scenic Byway (CA-3) – Past Peak – You Missed It.
Bigleaf maple, Hayfork (10/21/17) Laura Jean
Bigleaf maple, Hayfork (10/21/17) Laura Jean
Dogwood, Hayfork (10/21/17) Laura Jean
Black oak, Hayfork (10/21/17) Laura Jean
Black oak, Hayfork (10/21/17) Laura Jean
California ash, Hayfork (10/21/17) Laura Jean
Bigleaf maple, Hayfork (10/21/17) Laura Jean
Dogwood, Hayfork (10/21/17) Laura Jean
Also, here is a selection of images contributed by Dona Montuori-Whitaker in mid October. They arrived too late to be posted in a timely fashion, but are now in order to show additional views of Plumas County.
What is particularly striking about the Shasta Cascade region are the number of old wooden bridges, barns and cabins that have aged beautifully and contrast so emotionally with fall color.
Plumas County – Past Peak – You Missed It.
Maple, Quincy (10/16/17) Dona Montuori-Whitaker
Genesee Valley (10/16/17) Dona Montuori-Whitaker
Indian rhubarb, Keddie (10/16/17) Dona Montuori-Whitaker
Long Valley Creek Bridge, Sloat (10/16/17) Dona Montuori-Whitaker
Shed, Indian Falls (10/16/17) Dona Montuori-Whitaker
Taylorsville School (10/16/17) Dona Montuori-Whitaker
Fallen maple, cottonwood and dogwood leaves, Yosemite National Park (11/1/17) Tracy Zhou
As reported here on the day Tracy Zhou took these photos, peak color has shifted from bigleaf maple, dogwood and cottonwood to black oak in Yosemite National Park.
Deadline to enter and vote in the Cotton Carriers Fall Photo Contest is just over two weeks away.
This is a contest in which visitors to the site vote for their favorite fall color photo. The winner receives a canvas print of their photo, a Cotton Carrier G3 camera holder and recognition as a photographer.
To vote or enter the contest (Deadline Nov. 15), go to CottonCarrier.com.
Here are two more from our readers. To see all photos submitted by CaliforniaFallColor.com contributors, search “Photo Contest” on this site. We encourage all readers to vote for their favorite.
When we receive photographs too late to be posted as a current report or perhaps so artistic that they do not tell the story of what was seen, we set them aside for later use as a collection of gallimauphry.
Here’s one on Monitor Pass by Steven Crowley. Click to enlarge.
CaliforniaFallColor.com previously posted a report on Cotton Carrier’s Fall Photo Contest.
This is a contest in which visitors to the site vote for their favorite fall color photo. The winner receives a canvas print of their photo, a Cotton Carrier G3 camera holder and recognition as a photographer.
To vote or enter the contest (Deadline Nov. 15), go to CottonCarrier.com. Following are additional photographs submitted by CaliforniaFallColor.com contributors. To see all photos entered, search “Photo Contest”.
We encourage all readers to vote for their favorite.
Cook’s Meadow, Yosemite Valley – James Forbes
The Fall of My Life, Red Lake, CA – (2016) Robert Kermen
S. Yuba River, Cisco Grove, CA (2016) Robert Kermen
North Lake, Bishop Creek Canyon, CA (2014) Jay Huang
English Walnut Orchard, Durham, CA (2015) Robert Kerman
Note: The contest’s official rules have been changed since first reported, to reassure entrants that they will retain rights to submitted photographs.
Cotton Carrier had originally used boilerplate language in its official rules – provided within the contest template – that allowed Cotton Carrier to use the photographs, but that was never their intent and contradicted what they had communicated to us.
A revised rule now states, “Acceptance of prize constitutes permission for Cotton Carrier LTD to use winner’s name, likeness, and entry for purposes of advertising and trade without further compensation, unless prohibited by law.”
This limits exposure only to the winner and allows the winner to not accept the prize and thus not interfere with any rights it may have assigned to a stock agency, removes language of which some photographers were concerned and removes our concern about the original language which allowed Cotton Carrier to use all photographs submitted.
The object lesson learned from this instance is to always read contest rules carefully, as entering could give away your rights to your work.
Photo contests should never result in diminishing ownership or commercial rights to images for photographers. Instead, they should only seek to recognize excellent work, which is what Cotton Carrier intended.
We are indebted to those photographers who alerted us that Cotton Carrier’s initial promise to photographers that they would retain rights to their submissions was not supported by the contest rules, and to Cotton Carrier for being a stand-up company that supports photographers, recognizing the problem and quickly changing the official rules to assure that entrants are treated fairly.
CaliforniaFallColor.com has become a go-to site for publications and designers looking for fall color photography.
Photographs contributed to this site this autumn by color spotters Dylan Ren and Daniel Stas were selected by a calendar publisher.
And, San Bernardino County color spotter Alena Nicholas had several of her images chosen to decorate the interiors of San Bernardino County government buildings, because the designer found them on CaliforniaFallColor.com.
Lake Arrowhead (11/7/15) Alena Nicholas
That’s not saying we promise contributors that they’ll be published, though that does happen fairly often, because of the visibility of the site.
There seems to be no set pattern why a photograph is chosen, other than that it is colorful, nicely composed and has a subject that the medium, designer or publisher wants.
The calendar designer was looking for fresh water and an autumn scene. San Bernardino County was looking for images of their county that could be enlarged and hung inside county office buildings.
What is common is that the photos were seen here, and they were strong candidates.
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